THIS UNNAMED GEOLOGICAL formation is the likely result of wind, rain and time eroading away surface material to expose what at one time would have lava (magma) that had cooled and solidified. Copyright © 2010 by DL Tolleson. All Rights Reserved.
COMING INTO OR out of the Chisos Mountains, this is the northwest view and is several miles south of Panther Junction and the headquarters for Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
THE CLARET CUP is covered in barbed spines and blooms a reddish, cup-shaped flower from about April to June or July in Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
THIS VIEW FROM a formation called, “The Window,” looks out from the westside of the Chisos Mountains in Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
INDIAN HEAD MOUNTAIN and its southern region offers this “leaning” wall of geology at the western boundary of Big Bend National Park. The rocks of the foreground are boulders ranging from man-sized on up. Copyright © 2010 by DL Tolleson. All Rights Reserved.
MASSIVE AND TOWERING, this wall of the geology is at least a couple of hundrend feet high and situated in the Indian Head area of Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
WIDE-OPEN PANORAMAS and mountainous terrain such as this are routine along roadside in Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
THE SOUTHWEST SIDE of the Chisos Mountains, also known as the Chisos Mountain Basin and home to the lodge in Big Bend National Park. Copyright © 2011 by DL Tolleson. All Rights Reserved.
A FALLEN TREE is an impassable barrier in an otherwise debris-free dry riverbed in Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
INDIGENOUS TO TEXAS, New Mexico and Arizona, Javelinas in Big Bend National Park genetically differ from swine. Copyright © 2010 by DL Tolleson. All Rights Reserved.
LOST MINE TRAIL in Big Bend National Park, looking southward over Juniper Canyon, the Chisos Mountain’s Northeast Rim and into Mexico. Copyright © 2010 by DL Tolleson. All Rights Reserved.
A TREE SILHOUETTED against the night sky as seen from Chisos Basin in Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
THIS VIEW EAST of a volcano is an illusion of the setting sun streaming through the Chisos Basin area behind Casa Grande Peak in Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
WRIGHT MOUNTAIN in background at Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
A VIEW WESTWARD after sundown from the Indian Head area of Big Bend National Park. Copyright © 2010 by DL Tolleson. All Rights Reserved.
A CAMERA COMPENSATION for the limited light after sundown provides this view westward from the Indian Head area of Big Bend National Park. Copyright © 2010 by DL Tolleson/Camera One. All Rights Reserved.
SANTA ELENA CANYON after sunset, as seen from the Chimneys in Big Bend National Park. Copyright © 2010 by DL Tolleson/Camera One. All Rights Reserved.

DL Tolleson.com

Author, Photographer, Researcher, Artist, Adventurer and Buccaneer Extraordinaire

“Or at least that’s the plan each morning after coffee.”


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Near Cattail Falls Image

Copyright © 2012, 2016 by DL Tolleson/Camera One. All Rights Reserved. This image may not be reproduced in any form or by any means without written permission from the author/photographer.

Near Cattail Falls Image

Copyright © 2012, 2016 by DL Tolleson/Camera One. All Rights Reserved. This image may not be reproduced in any form or by any means without written permission from the author/photographer.

Coming Out of Cattail Falls, No. 8B

After turning south on Maxwell Scenic Drive and going just a little over three miles there is an unmarked dirt road to the left (if you see the ruins of a ranch on your right, you’ve gone too far). If you’re careful, you can drive a low clearance car on the dirt road. At the end of this road is a large “dip” and a hill at the top of which you can park. I actually took a shovel and filled in the dip so that I could drive over it (a patch that may not have long survived).

This is the route to the trail into Cattail Falls. During a good rain Cattail Falls is an 80-foot flowing waterfall ending in a pool of water (that remains even during the times when water isn’t flowing). The site isn’t all that visually interesting when the water isn’t flowing—and it wasn’t when I was there.

It’s a short hike that is relatively easy, during part of which the southwest view is pictured above. In the setting sun, the rolling terrain reflects a saturation of colors that is difficult to photograph without the camera doing a digital color shift altering what is perceivable in person. But make no mistake about it, for a few moments in the evening this place is almost like standing in a landscape painted by Claude Monet.

—DL Tolleson


Image 13    14 of 48

Camera Data

CAMERA
Nikon D300S

LENS
VR 18-200mm, F/3.5 - 5.6G

FOCAL LENGTH
18mm

FOCUS MODE
AF-S

AF-AREA MODE
Auto

VR
On

Exposure Data

APERTURE
F/6.3

SHUTTER SPEED
1/125s

EXPOSURE MODE
Manual

EXPOSURE COMP
0EV

METERING
Spot

ISO
200

Image Data

ORIG IMAGE QUALITY
Tiff-RGB (8-bit)

ORIG IMAGE SIZE
4288 x 2848

ORIG DATA SIZE
35.1 MB

CAPTURE DATE
11/27/2012

Flash Data

FLASH SYNC MODE
N/A

FLASH MODE
N/A

FLASH EXPOSURE COMP
N/A
Original and Web-based Image

The original image is a Tagged Image Format File (TIFF) with a file data size of 35.1 megabytes (MB).

For display on this web site the TIFF was duplicated and the duplicate re-formatted as a Joint Photographic Experts Group (JPG/JPEG) image with a file data size of 6.92 MB. To approximate detail visible at the time of capture the image was sharpened as necessary and resampled via the Photoshop Bicubic Sharpen algorithm. The re-sampling increases the image resolution from 300 Dots Per Square Inch (DPI) to 360 DPI.

Unless otherwise noted the image was corrected to offset color shift and balance. This restores black (shadows), white (highlights) and neutral gray (neutral mid-tones).

Image Naming Convention

• An unnumbered image is the only one of the subject matter.

• A number corresponds to the sequential order in a subject-matter-related sequence.

• The letter “B” indicates color correction to approximate what was visible when the image was captured.

• The letter “C” indicates enhancement beyond an approximation of what was visible at the time of capture.

Image 13    14 of 48